Dear satikusala,
Thanks a lot for your information about 2 books.
One day I will read these books.
”The Truth Machine” , this title reminds me of Koestler’s
“The Ghost in the Machine”.
At the same time, Mr. Halperin was aware of the content?
to Koestler’s other book, “Janus”. I imagine so.
Musicians are always repeating their own experiences of
the coexistence of the part and the whole.
This is a straightforward question.
What I am trying to find out is the following.
First of all, please forgive me for using musical terminology to explain this.
What is the meaning of “crescendo” in strong/weak marking?
How do you handle the “piano” in the strong/weak clef?
That’s all.
The following are questions of the same quality.
##Connections
what does it mean?
What does
##Literature
mean?
I am hoping that you can answer the following questions.
How do you use “crescendo” in a song? or
How do you use “crescendo” in a piece of music,
and when do you use “piano” to describe a scene?
These are not the kind of questions you should be asking.
If you do not mind. I would like to know what you mean by this.
I would appreciate it if you could write down your thoughts on this.
I have written about Tinderbox9 in another users forum.
{{Tinderbox vs. The Brain - #3 by WAKAMATSU}}
In the future, I would like to consolidate the functions of the other apps I have been using into Tinderbox 9.
I rarely cite literature, because I think it is “pointless” to cite other people’s ideas.
Of course, I do not read books that do not include a bibliography. In a paradoxical way?
At the moment, I am starting to read a difficult book by Zen Maestoro Hakuin called
“Kaïan Kokugo”(Kaï : X Greek Pronounsiation. An : an same as in English.
Kokugo : means native language ). It is a huge book of 2000 pages.
I am looking forward to your honest answers.
With kind regards, WAKAMATSU